11/24/2009

Seeing Stars on the UES

I am not a stalker. This is not a gossip column. I do carry a camera everywhere I go and I often bust it out on the sly (mostly to snap shots of unsuspecting entrees and attractive desserts…), but I am not a member of the paparazzi. It’s fun to spot famous people around the Upper East Side, but I’d never take a photo. Likewise, I’d never do something tacky like request an autograph or approach for any reason. I believe that the famous amongst us deserve their space.

In fact, I pride myself on keeping my distance and maintaining a high level of decorum whenever fate places me in close proximity to a star. My mother taught me that it isn’t polite to stare, and I agree with her. But I must confess: I have also found that staring is really the only way to see exactly what someone is wearing, track someone’s every move, and analyze what makes this fabulous person tick. After all, if you don’t seize the opportunity to examine fame when you stumble upon it, how else can you ever hope to achieve similar beauty, luster, and wealth?

This is why I have developed a method of facing my head in one direction and straining my eyeballs so that they can see in the exact opposite direction. This feat requires a combination of strength, flexibility, and, mostly, well… burning curiosity. Contrary to what “some others” may say, I assure you that my technique is the quite subtle. This is precisely how I was able to get through brunch just two tiny tables away from famous feminist Gloria Steinem at Sarabeth’s in the Whitney Museum. It may have seemed like I was looking at my Farmer’s Omelette but I was instead noting that Gloria was comfortably ensconced in her corner table, the picture of womanly self-assurance, sipping coffee long after her plate was taken away. Tried as I did, I could not recognize her girlish brunch companions.

This is also how I spent a lovely luncheon with Alec Baldwin. My husband and I were sitting at one of the communal tables of Le Pain Quotidien on Madison at 85th when he and his companion chose, amid many other options, to sit with us. He was literally two feet away. The fact that his back was turned to us didn’t make it seem any less like a cozy double date. Contrary to all accusations afterwards, I was able to engage in an extremely coherent conversation while using the aforementioned visual technique to stealthily size-up Alec’s leggy friend of the lustrous locks. Likewise, I did not flip my own hair with a hint of seduction. Nor did my laughter suddenly take on a sexier tone. I simply observed that real men do in fact eat quiche and noted how diplomatic Alec was when he inquired if his was “supposed to be served hot or cold?” The waitress quickly whisked it away and returned with a new, presumably hotter slice. We had the good sense to not interrupt his repast like some other eager beaver who foisted out his hand, claiming he was “a big fan.” We were on far more intimate terms: my husband was more than happy to share mixed berry preserves with Alec from the same communal condiment caddy.

The day I saw David Duchovny, I didn’t have to strain my eyeballs but I did almost sprain my neck. I was in the car, heading south on Madison Avenue and he was walking northbound, somewhere in the 80’s, with purpose. I managed to not get in an accident while registering that he had on a nice pair of sunglasses, though it was not very sunny out. He also had on v-neck cardigan in a tasteful auburn hue and a messenger bag strap across his chest.

It was my husband who first spotted author Tom Wolfe as he walked toward us, near the Carlyle Hotel. We pretended we were window shopping but we were actually gawking at this remarkable vision of uptown, old-time, insider New York. The author looked exactly as dapper as you’d think: he was be-hatted, perfectly groomed, and donned an elegant white suit. His Sherlock Holmesian type cloak bounced gently with each efficient step. We saw after he passed that this cloak was plaid underneath.

When Derek Jeter walked into the Starbucks at 75th and First Avenue, you could feel the entire place ripple with recognition. You could also see about 30 camera phones jut up into the air and snap pictures in unison. Derek was with two other men who, I guessed, based on their ample physiques, were also athletes, possibly other New York Yankees. They strode across the coffee shop relaxed, yet ultra-confident, like a veritable pride of lions. I hid behind my laptop and peered at them as if through jungle fronds, while the baristas whipped them up a round of venti frappaccinos.

Along the way, I’ve hobnobbed with other stars on the Upper East: Emmy Rossum (Phantom of the Opera, etc.), Rue McClanahan (Golden Girls, etc.), Richard Herd (George Costanza’s boss at the Yankees on Seinfeld, etc.) and the list goes on…

But the most quintessential UES star sighting occurred just recently, at the corner of 96th and Madison. I was stretching my calves in preparation for a run around the reservoir, while waiting for my husband who was picking up a pre-run latte. When I looked up, I saw none other than Woody Allen taking a stroll with a friend of similar age and comportment. They were engaged in what I can only assume was a discussion of a highly philosophical and perhaps somewhat sarcastic nature. Woody had on khakis, sensible shoes, a faded blue button-down and one of those hats most often worn by fishermen, sans lures.

I couldn’t help myself this time: I excitedly hopped from one foot to the other and beckoned for my husband to hurry up! The fact that we followed Woody and friend as they turned left onto 5th Avenue then continued south along the park was not a act of stalking but a complete and utter coincidence – really, we were headed exact in the same direction. We did not sprint ahead then peek from behind trees as they passed, nor did we get close on their heels then cup our hands around our ears in order to hear what they were saying. We maintained a perfectly respectful distance and when we reached our destination at the park, we forced ourselves to stop. We simply watched as they continued their walkabout, still deep in conversation. Gradually, they faded out of our sight, past the Guggenheim and into the city beyond.

What have I learned through my studies? That famous people aren't all that different from the rest of us and sometimes they even happen to occupy the same space. (Also, if you’re on the market for some prime star sightings, Madison Avenue is by far your best bet.)

11/16/2009

A Mix of Live Performances this Saturday on UES

Great news! You don’t have to trek down to Broadway or to the village to get your grass-roots art fix. There is going to be a program of multifaceted live performances this weekend here on the Upper East Side. In my opinion, this is a welcome and all-too-rare occurrence in this otherwise lovely neck of the woods.

A group of collaborative artists called, Break the Mold, will be gathering together several performers at Our Lady of Good Counsel (90th between Second and Third Avenues) on Saturday, November 21 at 7:30 pm and Sunday at 2 pm for an eclectic mix of music, dance, and spoken word. The suggested donation is $8.

The shows will last approximately one hour and feature, among others, opera singer Andrea Lynn Cianflone, percussion group Loop 2.4.3, and rock and roll trio TJ Moss Band. There will also be Irish step dancers, a violinist, a harpist, and a lyric-reading actress, many of whom will combine forces in unique and perhaps surprising ways. The cool thing is that there will be a reception afterwards where you can mix and mingle with the artists.

Organizer Melinda Marie Heitzman says that the first go-round of Break the Mold at Our Lady of Good Counsel this past July was so popular that they decided to expand from one to two days, this time. Likewise, many people were so excited by what they saw that they stuck around afterwards to meet and speak with the performers. They therefore decided to officially include a post-show reception so that “audience members can meet the artists and the artists can get to know their audience.”

Heitzman, who has a background in both dance and community theater, laments that there are so many talented artists in this city who are relegated to small venues. She and her friends wanted to do something about this. Break the Mold gives artists an opportunity to collaborate with one another and perform for wider audiences. “This is unique for the Upper East Side and it’s unique for New York City, in general. It’s great for undiscovered artists, here, to get on a bigger stage.”

She says that Our Lady of Good Counsel is an excellent space since it has a good sound stage and can accommodate a large audience. Besides, “this is a very family-oriented show. You can bring your grandma, your best friend, your priest, and your niece and nephew.” While they are pleased to headquarter this kind event on the UES and provide entertainment for this community, Break the Mold is also interested in attracting people from all over the city.

Heitzman tells me that Break the Mold was originally a conglomeration of friends and their friends but it is quickly growing. Artists interested in participating can submit their reels, videos or music by contacting Break the Mold at collaborate.nyc@gmail.com.

Perhaps I’ll see you there this weekend. I'll be the one tapping my toe (don't worry - in my seat - not on stage...)

11/04/2009

Libertador: Best Fries on the UES

I have not tasted every single French fry on the Upper East Side, but I have tasted enough fries in this neighborhood (okay, and across this fine city) (and okay, across this fine country) to know that I have now discovered the very best. In fact, what the heck, I’ve never been afraid of a little hyperbole – I hereby proclaim that I have found the best French fries in The Entire Universe. They’re right here on Second Avenue and 89th Street at Libertador Parrilla - Argentina.

The first time I went to Libertador, these fries snuck up on me: the entrée was good, but the side dish was out of sight. I went back a second time to confirm that they were exactly as excellent as I remembered. They were. After this, the daydreams began. It got to the point where I couldn’t concentrate on anything besides these fries. I inevitably went back, this time by myself so that I could focus. I ordered a glass of Cabernet Sauvignon. Then I ate an entire bowl of fries. For dinner.

They call them French Fries Provenzal and they are fancied up with ample amounts of fresh garlic and parsley. They are crisp yet chewy and moist but not too greasy. This preparation is really more of a French thing: Manager Gedas Masilionis tells me that Argentinian food is heavily influenced by French and Italian cooking.

Don’t even think about insulting these fries with ketchup. You won’t get any at Libertador. If you absolutely have to dip them in something, try the delicious chimichurri sauce.

Then maybe get some steak on the side. Though I don't eat red meat, myself, I am aware that Argentinian cuisine is known for its beef. The cuts here are free-range and grass fed. You can even watch your steak get prepared to your specifications at the parrillero, basically an open-kitchen barbecue or meat bar, in the corner of the restaurant.

Besides the fries, I can recommend the 10 oz. King Salmon Fillet, which has been marinated for 24 hours, grilled and lightly smoked. It is served with an extremely fresh watercress, corn, and tomato salad. The Chicken Milanesa is pressed, breaded and served with mashed potatoes or…Fries Provenzal. Did I mention the fries?

The chef here is the young, up-and-coming Natalia Machado. She grew up in Buenos Aires and also heads-up the kitchens at Azul in the lower east side and Industria Argentina in Tribeca. Earlier this fall, she appeared on The Food Network’s Chopped, a chef contest show, and won.

Libertador, only open since last March, has been designed to resemble the parillas on the streets of Buenos Aires. The space is open and airy with both modern and traditional touches. The front façade is comprised entirely of windows looking out onto Second Avenue. This view of the city’s hustle and bustle combined with cozy lighting makes this a hip place to meet up with friends or a romantic spot for a date. In fact, I have a knack for spotting first dates and I’ve now noticed more than a few of them here.

Fabrics imported from Argentina adorn the bar stools and the banquet. Distressed mirrors line the walls and the ceiling is covered with old Argentinian newspapers detailing political events from the 1950’s to 1970’s. A colorful patchwork mural at the back of the restaurant features the shadow of a soldier on his horse. He is mid-stride and triumphant – presumably a libertadore celebrating independence. Or maybe he just had a serving of those Fries Provenzal. Of course, victory is always sweet, but I now believe it can also be savory…